Communication

Dear Sir/Madame:

According to Paul Szymanski, who is working for Harvard Management Communication Letter as a Circulation Manger, Communication skill is your security weapon for increasing your power to influence people in your organization. Regard with communication skill, along with technology and marketing, there is no short of much more emphasizing of it. The more we is reading, writing, speaking and listening, the better. That is the reason why language fluency is pro rata absolute time value. In order to learn a language, one is demand a lot than we expected. So we need a light guideline and a wise investment.

In any system and environment, there is an existence of the limit of maximum efficiency. Nevertheless, we think that we can overcome language barrier without minimum hours in a day. Everyone has ill different of command, depending upon level of education, or willpower. "English is the language of men ever famous and foremost in the achievements of liberty"- ①John Milton. So we need effectively to learn a language with serious but fun, not vice versa. Without the balance of thoughts, or right target, learning second language is like investing a lot of time and money with a quite low efficiency.

In order you to prevent a disaster, Firstly we will desperately find a right language system. Secondly we regularly put it off an oral practical time on day by day. Thirdly we try to develop learning method by ourselves, and then teaching to his staff and people. Finally we have not to set the limit of his/her glass ceilings by each one.

Keeping on fighting until feel almost perfect speaking and writing, by increasing reading books and periodical magazines continuously.

We hope you will be materialized a successful business and had an excellent communication skill.

Thank your for your reading and have a nice time.

Chungmoon Institution

Business English Coach

Tae HooH, Lee

Reference>

Exerted by Wikipedia

①John Milton (9 December 1608 – 8 November 1674) was an English poet, author, polemicist and civil servant for the Commonwealth of England. He is best known for his epic poem Paradise Lost and for his treatise condemning censorship, Areopagitica.

He was both an accomplished, scholarly man of letters and polemical writer, and an official serving under Oliver Cromwell. His views may be described as broadly Protestant, if not always easy to locate in a more precise religious category. Milton was writing at a time of religious and political flux in England, and his poetry and prose reflect deep convictions, often reacting to contemporary circumstances. He wrote also in Latin and Italian, and had an international reputation during his lifetime.

After his death, Milton's personal reputation oscillated a state of affairs that has continued down the centuries. He early became the subject of partisan biographies, such as that of John Toland from the nonconformist perspective, and a hostile account by Anthony à Wood. Samuel Johnson described him as "an acrimonious and surly republican"; but William Hayley's 1796 biography called him the "greatest English author", at a time when his reputation was particularly in play.

SWORD OF THE COMMON MAN

The functional key of cartoon as the means of social criticism is in its satirical ness. The humorous accusation a single cut of sketch expresses in silence often not accompanying dialogue is containing implicit meaning more than a theoretical by an orderly logic; explain the difference between fact and truth more clearly than any media.

This moment is the one when intuition combines with logic, emotion encounters reason, silence replaces, the aesthetics of simple lines scorns the subjective difficulty and ambiguity of a complex abstract painting to provide a pleasant intellectual delights. But such a delight, as it is momentary, has not a long life. Rather short like ephemera. In contrast the life of great works of literature, art, music etc. Providing endless intellectual asset and emotion to mankind is eternal.

It is artists may die but their works survive So “Vita rebis, ars longa” (Life short, art long). But in case of cartoon, on the contrary, artist may be remembered long but the works sporadically created remain only in the intermittent human memory. So “Vita longa, ars brevis” (life long, art short)

사회 비판 수단으로서 만화의 기능적 핵심은 풍자성에 있다. 한 컷의 그림이 때로는 대사를 동반하지 않는 침묵 속에 표현하는 諧謔的 고발은 정연한 논리에 의한 이론적 비판 이상의 함축(含蓄)된 의미를 담고 있고 사실과 진실의 차이를 그 어떠한 매개수단 보다 더 명백히 설명한다.

이 순간이야말로 직관이 논리와 결합하고 감정이 이성과 마주치고 침묵이 언어를 대신하고 단순한 선의 미학(美學)이 복잡한 추상화의 주관적 난해성과 모호성을 경멸하는 통쾌한 지적 즐거움을 제공하는 순간이다. 그러나 이러한 즐거움은 또한 순간적 이라는 데서 생명이 길지 않다. 오히려 하루살이처럼 짧다. 그에 비해 인류에게 무한한 지적 자산과 감동을 제공하는 위대한 문학, 미술, 음악 등 예술작품들의 생명은 영원하다.

즉 작가는 죽되 작품은 살아남는다. 그래서 “인생은 짧고 예술은 길다”. 그러나 만화의 경우 그 반대로 작가는 오래 기억되지만 단속적으로 제작된 작품은 인간의 간헐적 기억 속에서만 존재한다. 그래서”인생은 길고 예술은 짧다”.